born 1983 in Versailles, France.
lives and works in Berlin, Germany.
contact

gallery: Sandy Brown

education:
2001-2007 MFA École Nationale Supérieure des Beaux-Arts de Paris
2003 Exchange semester, Department of Art History, Visual Art and Theory (AHVA), University of British Columbia, Vancouver

solo and two persons exhibitions:

2022
Still Thirsty, with Sandra Vaka, Kösk, Oslo
2020
Émissions nocturnes, LVX, Pavillon der Volksbühne, Berlin
2018
Promession® Dormitorium, Art Basel Statements with Sandy Brown
2016
Débris Legacy, Sandy Brown, Berlin
Greenhouses, Cell Project Space, London
Minnow, with Gavin Kenyon, Topless, Rockway Beach
2015
Crawler, Ginerva Gambino, Cologne
2014
A BōAt[] A Promise, Kunstverein Nürnberg
Global Isolation Conference & Exhibition, with Marco Bruzzone, MJ Gallery, Geneva
2013
Exposing: the Guest Rules, Favorite Goods, Los Angeles
2012
Last Spring/Summer, with Juliette Bonneviot, in Les Urbaines, curated by Elise Lammer, Lausanne
Hosting Works, Exposure Rules, Sandy Brown, Berlin
Yung Jung Stages, CEO gallery, Malmö
2011
Len Jyan, Kwadrat, Berlin 2010
Succubus with Juliette Bonneviot, PMgalerie, Berlin

group exhibitions:

2023
M OTHER S, Pavillon an der Volksbühne, Berlin
2022
Plastic Heart: Surface All the Way Through, Canadian Cultural Center, Paris
2021
Alles im Wunderland, Nassauischer Kunstverein Wiesbaden
Phantasia Bouquet, Sandy Brown, Berlin
2020
Studio Berlin, curated by Boros Foundation, Berghain, Berlin
“Relax— it’s all online.”, Lars Friedrich, Berlin
2019
Futur, ancien, fugitif, curated by Franck Balland, Daria de Beauvais, Adélaïde Blanc and Claire Moulène, Palais de Tokyo, Paris
Der Ring, Artemis Fontana, Paris
Growing Pains, curated by Christina Gigliotti, Polansky gallery, Prague
2018
Running Room, curated by Thomas Ballot and Thomas Butler, Horse and Pony Fine Arts, Berlin
Title II, curated by Vie d'ange, Galerie Antoine Ertaskiran, Montreal
Our Thing, curated by Vie d'ange, Galerie Antoine Ertaskiran, Montreal
Crash Test, curated by Nicolas Bourriaud, La Panacée, Montpellier
2017
A Good Neighbour, 15th Istanbul Biennial, curated by Elmgreen & Dragset
Rehoming, une une une, Perpignan
Shared Spaces, curated by Ellen Wagner, Neuer Kunstverein Aschaffenburg
Absent Bodies, curated by Francesca Gavin, OSL contemporary, Oslo
Hello World, ARS17, Museum of Contemporary Art Kiasma, Helsinki
2016
Body pt.1 (zombie), Ginerva Gambino, Cologne
You Never Actually Own Anything, Lucas Hirsch, Düsseldorf
ME, INC., curated by Sabine Rusterholz Petko, Rotwand, Zurich
Overdraft, hotel-art.us, New York
2015
Find your Beach, curated by Christina Lehnert, Gebert Stiftung, Rapperswill
A YES SCREAMING NO, curated by Cécile B. Evans, Barbara Seiler, SUNDAY, London
Co-Workers, Musée d'Art Moderne de la Ville de Paris
Whatever man built could be taken apart: Image / Order, Nassauischer Kunstverein Wiesbaden
Compliance / Non-compliance, MÉLANGE, Cologne
Inside China, curated by Jo-ey Tang and Victor Wang, K11 foundation, Shanghai
Immunity Chorus, V4ULT, Berlin
Inside China, l’Intérieur du Géant, curated by Jo-ey Tang, K11 foundation, Hong Kong
2014
SALON 2014/2015, Kunstverein Nürnberg
Inside China, l’Intérieur du Géant, curated by Jo-ey Tang and Wang Chunchen, Palais de Tokyo, Paris
Traucum, Parc St Léger Hors Les Murs, Nevers
Union, Union Pacific, London
Today:Morrow, Balice Hertling at the Film Center, New York
Shift, Galerie Antoine Levi, Paris
Aftercare, Center, Berlin
Every Corner Holds a Cave, curated by Mark Soo, Ginerva Gambino, Cologne
Art Post-Internet, curated by Karen Archey and Robin Peckham, UCCA, Beijing
Apples and Pears, curated by James Clarkson, DREI, Cologne
Acid Rain, Island, Brussels
2013
They Live, Shanaynay, Paris
Performing the Archive/Club Mode, curated by Gluey-C, Skogen
Gothenburg Surface Tension, curated by Franklin Melendez, galerie Andreas Huber, Vienna
Time Machine, M-Arco, Le Box, Marseille
Brigadoon, curated by Céline Poulin, La Tôlerie, Clermont-Ferrand
Entre-temps, Brusquement et Ensuite, curated by Gunnar B. Kvaran, 12th Lyon Biennale
"Sallie Gardner", Michael Thibault gallery, Los Angeles
Sunbathers, 1857, Oslo
The Mediterranean Dog, curated by Elise Lammer, Cole, London Guide to the Galaxy, curated by Attilia Fattori Franchini, Gloria Maria gallery, Milan 2012
Hanging, Times bar, Berlin
Glaze, curated by George Henry Longly, Chez Valentin, Paris
Oil on Water calming Effect, Skur 2, Stavanger
Crime is on Both Sides, curated by Martha Kirszenbaum, Galeria Stereo, Poznań
Aude Pariset, Kate Steciw & Letha Wilson, curated by David Harper, Toomer Labdza, New York
Peer One, curated by Kari Altmann,The Walters Art Museum, Baltimore
2011
Edge of Glory, CEO gallery, Malmö
Random Rotations, curated by Parker Ito, Berkeley Art Museum, Berkeley
Based in Berlin, PMgalerie, Berlin
100 Drawings Against Vietnam War, Komplot, Brussels & Le Commissariat, Paris
Metrospective, presented by Program and the Future Gallery, Program, Berlin
2010
Post Internet Survival Guide, curated by Katja Novitskova, The Future Gallery hosted by Gentili Apri, Berlin
États de Choses, Darsa Comfort, Zürich
Nothing Political, Komplot, Brussels
Enchanted, curated by Juliette Bonneviot, School of Development, Berlin
Ins Blickfeld Gerückt, curated by Gaelle Boucand and Francisca Würz, Institut français, Berlin
Silverstein Photography Annual, Bruce Silverstein gallery, New York
2009
KIT invite, deuxième édition, Paris
I'm so sad, my God, curated by Martha Kirszenbaum, ISCP, New York
2008
Panorama de la jeune création, 4th Bourges biennale, France

curatorial projects:

co-founder of the series of exhibitions and events Bcc, together with Aurélia Defrance and Julie Grosche
Das Ei ohne Schale, OSLO10, Basel, May 2012
Bcc, first edition, PMgalerie, 2011
États de Choses, co-curated with Juliette Bonneviot, Darsa Comfort, Zürich, 2010

publications:

Oil: Beauty and Horror in the Petrol Age, exhibition catalogue, Kunstmuseum Wolfsburg, Verlag der Buchhandlung Walther und Franz König
Studio Berlin, exhibition catalogue, Boros Foundation, DISTANZ
Palais magazine, issue 30
Crash Test, exhibition catalogue, Les Presse Du Réel
A Good Neighbour, 15th Istanbul Biennial, exhibition catalogue, IKSV
Hello World, ARS17, exhibition catalogue, Finnish National Gallery / Museum of Contemporary Art Kiasma
Co-Workers, exhibition catalogue, with an interview with Jessica Castex and David Douard, Musée d’Art Moderne de la Ville de Paris
Art Post-Internet, exhibition catalogue, edited by Karen Archey and Robin Peckham, UCCA, Beijing
Inside China, three exhibition catalogues, K11 art Foundation and Palais de Tokyo
Palais magazine, issue 20, Palais de Tokyo
Entre-temps, Brusquement et Ensuite, 12th Lyon Biennale, exhibition catalogue, Les Presse Du Réel Sub Rosa, edited by Anne Fellner, on info-punkt.eu
Wandering, issue 1 & 2, edited by Tenzing Barshee
No One Would Confuse a Mock with a Utensil, commissioned for XYM digital editions project, on xym.no

review & press material:

Video interview by Palais de Tokyo about Promession® Dormitorium in Futur, ancien, fugitif
Regards Vers le Futur, interview of Nicolas Bourriaud by Ingrid Luquet-Gad, Numéro Art, issue 3
Feature in Sector Statements, by Emmanuelle Lequeux, Le Quotidien de l’Art, special issue Art Basel, June 2018
The Worm Had Turned: At Art Basel, Aude Pariset Sets Little Creatures Loose, by Andrew Russeth, Artnews
ARS17: Hello World!, review by Philomena Epps, Frieze
Frieze Portfolio, Frieze online
Review of Greenhouses, by Jessie Bond, this is tomorrow
Review of Greenhouses, by Will Gresson, EyeContact
30 Emerging Artists to Watch This Summer, by Artsy editors, Artsy
fine young cannibals, Monique Todd, Twin, issue XIV Portrait, Mixt(e) magazine, issue 7
Off The Wall: Four Photographers Rethinking The Picture Frame, by Andrew Nunes, Vice
Interview with Elise Lammer, Novembre magazine issue 7
Feature in Symbol, art paper, issue 3
The Living Image, Amy Knight, Dazed Digital
2D Pushers, review of Aude Pariset, Kate Steciw & Letha Wilson, by Lori Zimmer, Artslant
Review of Les Urbaines, by Natalie Esteve, Kaleidoscope blog
Nett ist die kleiner Schwester von Scheiße: A Little Snapshot of Berlin, Karen Archey, Rhizome
Karen Archey's review of Len Jyan, Artinfo