Born in 1983, France.  
  Education: Ecole Nationale Supérieure des Beaux-Arts de Paris  
  Gallery: Sandy Brown  
  Solo and two persons exhibitions:  
  Émissions nocturnes, LVX, Pavillon der Volksbühne, Berlin  
  Promession® Dormitorium, Art Basel Statements with Sandy Brown  
  Débris Legacy, Sandy Brown, Berlin  
  Greenhouses, Cell Project Space, London  
  Minnow, with Gavin Kenyon, Topless, Rockway Beach  
  Crawler, Ginerva Gambino, Cologne  
  A BōAt[] A Promise, Kunstverein Nürnberg  
  Global Isolation Conference & Exhibition, with Marco Bruzzone, MJ Gallery, Geneva  
  Exposing: the Guest Rules, Favorite Goods, Los Angeles  
  Last Spring/Summer, with Juliette Bonneviot, curated by Elise Lammer in Les Urbaines, Lausanne  
  Hosting Works, Exposure Rules, Sandy Brown, Berlin  
  Yung Jung Stages, CEO gallery, Malmö  
  Len Jyan, Kwadrat, Berlin  
  Succubus with Juliette Bonneviot, PMgalerie, Berlin  
  Group exhibitions:  
  Studio Berlin, curated by Boros Foundation, Berghain, Berlin  
  "Relax — it's all online.", Lars Friedrich, Berlin  
  Futur, ancien, fugitif, curated by Franck Balland, Daria de Beauvais, Adélaïde Blanc and Claire Moulène, Palais de Tokyo, Paris
  Der Ring, Artemis Fontana, Paris  
  Growing Pains, curated by Christina Gigliotti, Polansky gallery, Prague  
  Title II, curated by Vie d'ange, Galerie Antoine Ertaskiran, Montreal  
  Our Thing, curated by Vie d'ange, Galerie Antoine Ertaskiran, Montreal  
  Crash Test, curated by Nicolas Bourriaud, La Panacée, Montpellier  
  A Good Neighbour, 15th Istanbul Biennial, curated by Elmgreen & Dragset  
  Rehoming, une une une, Perpignan  
  Shared Spaces, curated by Ellen Wagner, Neuer Kunstverein Aschaffenburg  
  Absent Bodies, curated by Francesca Gavin, OSL contemporary, Oslo  
  Hello World, ARS17, Museum of Contemporary Art Kiasma, Helsinki  
  Body pt.1 (zombie), Ginerva Gambino, Cologne  
  You Never Actually Own Anything, Lucas Hirsch, Düsseldorf  
  ME, INC., curated by Sabine Rusterholz Petko, Rotwand, Zurich  
  Overdraft, hotel-art.us, New York  
  Find your Beach, curated by Christina Lehnert, Gebert Stiftung, Rapperswill  
  A YES SCREAMING NO, curated by Cécile B. Evans, Barbara Seiler, SUNDAY, London  
  Co-Workers, Musée d'Art Moderne de la Ville de Paris  
  Whatever man built could be taken apart: Image / Order, Nassauischer Kunstverein Wiesbaden  
  Inside China, curated by Jo-ey Tang and Victor Wang, K11 foundation, Shanghai  
  Immunity Chorus, V4ULT, Berlin  
  Inside Chinal’Intérieur du Géant, curated by Jo-ey Tang, K11 foundation, Hong Kong  
  Inside Chinal’Intérieur du Géant, curated by Jo-ey Tang and Wang Chunchen, Palais de Tokyo, Paris  
  Traucum, Parc St Léger Hors Les Murs, Nevers  
  Union, Union Pacific, London  
  Today:Morrow, Balice Hertling at the Film Center, New York  
  Shift, Galerie Antoine Levi, Paris  
  Aftercare, Center, Berlin  
  Every Corner Holds a Cave, curated by Mark Soo, Ginerva Gambino, Cologne  
  Art Post-Internet, curated by Karen Archey and Robin Peckham, UCCA, Beijing  
  Apples and Pears, curated by James Clarkson, DREI, Cologne  
  Acid Rain, Island, Brussels  
  They Live, Shanaynay, Paris  
  Performing the Archive/Club Mode, curated by Gluey-C, Skogen, Gothenburg  
  Surface Tension, curated by Franklin Melendez, galerie Andreas Huber, Vienna  
  Time Machine, curated by Corentin Hamel, M-Arco, Le Box, Marseille  
  Brigadoon, curated by Céline Poulin, La Tôlerie, Clermont-Ferrand  
  Entretemps..Brusquement et Ensuite, 12th Lyon Biennale  
  Sallie Gardner, Michael Thibault gallery, Los Angeles  
  Sunbathers, 1857, Oslo  
  The Mediterranean Dog, curated by Elise Lammer, Cole, London  
  Guide to the Galaxy, curated by Attilia Fattori, Gloria Maria gallery, Milan  
  Glaze, curated by George Henry Longly, Chez Valentin, Paris  
  Oil on Water calming Effect, Skur 2, Stavanger  
  Crime is on Both Sides curated by Martha Kirszenbaum, Galeria Stereo, Poznań  
  Aude Pariset, Kate Steciw & Letha Wilson curated by David Harper, Toomer Labdza, New York  
  Peer One curated by Kari Altmann,The Walters Art Museum, Baltimore  
  Edge of Glory, CEO gallery, Malmö  
  Random Rotations, curated by Parker Ito, Berkeley Art Museum, Berkeley  
  Based in Berlin, PMgalerie, Berlin  
  100 Drawings Against Vietnam War, Komplot, Brussels & Le Commissariat, Paris  
  Metrospective presented by Program and the Future Gallery, Program, Berlin  
  Post Internet Survival Guide curated by Katja Novitskova, The Future Gallery hosted by Gentili Apri, Berlin  
  Etats de Choses, Darsa Comfort, Zürich  
  Nothing Political, Komplot, Brussels  
  Enchanted curated by Juliette Bonneviot, School of Development, Berlin  
  Ins Blickfeld Gerückt curated by Gaelle Boucand and Francisca Würz, Institut français, Berlin  
  Silverstein Photography Annual, Bruce Silverstein gallery, New York  
  KIT invite, deuxième édition, Paris  
  I'm so sad, my God, curated by Martha Kirszenbaum, ISCP, New York  
  Panorama de la jeune création, 4th Bourges biennale, France  
  Curatorial projects:  
  co-founder of Bcc  
  Bcc, OSLO10, Basel, May 2012  
  Bcc, first edition, PMgalerie, 2011  
  Etats de Choses, co-curated with Juliette Bonneviot, Darsa Comfort, Zürich, 2010  
  Video interview by Palais de Tokyo about the installation presented in Futur, ancien, fugitif  
  Regards Vers le Futur, interview of Nicolas Bourriaud by Ingrid Luquet-Gad, Numéro Art, issue 3
  Feature in Sector Statements, by Emmanuelle Lequeux, Le Quotidien de l’Art, special issue Art Basel, June 2018  
  The Worm Had Turned: At Art Basel, Aude Pariset Sets Little Creatures Loose, by Andrew Russeth, Artnews  
  Frieze Portfolio, Frieze online  
  Review of Greenhouses, by Jessie Bond, this is tomorrow  
  Review of Greenhouses, by Will Gresson, EyeContact  
  Mixt(e) magazine, issue 7  
  Interview with Elise Lammer, Novembre magazine issue 7  
  Feature in Symbol, art paper, issue 3  
  Review of Les Urbaines by Natalie Esteve, Kaleidoscope blog  
  The Living Image, Amy Knight, Dazed Digital  
  2D Pushers, by Lori Zimmer, review of Aude Pariset, Kate Steciw & Letha Wilson, Artslant  
  Karen Archey's review of Len Jyan, Artinfo